Question 1

What kind of projects do you support?

Jo Nancarrow · Accepted Answer

Our commissions are often 'place-based', inviting creative practitioners to respond to a particular place. This has included cities, towns, beaches and waterways, National Trust sites, forests, and even a housing development that has not yet been built. Many commissioned artists take a 'residency' approach, spending time in those places with local people and community groups who they have invited to be project participants. To see examples of the kind of projects we support, the best place to start is at our commissions page for an overview of the projects we’ve commissioned over the years. Successful proposals have put communities at the heart of the creative process, while also being central to the artists’ practice and own lines of enquiry. Commissions can capture the spirit of place, give people a voice, connect communities and let people tell their own story in their own words. We do not tend to support projects that propose large public artworks, such as permanent or semi-permanent sculptures or structures, which often require planning permissions and ongoing maintenance that can challenge the budget and timeline available. We also do not support projects that have little or no participation.

Question 2

What kind of projects do you support?

Jo Nancarrow · Accepted Answer

Our commissions are often 'place-based', inviting creative practitioners to respond to a particular place. This has included cities, towns, beaches and waterways, National Trust sites, forests, and even a housing development that has not yet been built. Many commissioned artists take a 'residency' approach, spending time in those places with local people and community groups who they have invited to be project participants. To see examples of the kind of projects we support, the best place to start is at our commissions page for an overview of the projects we’ve commissioned over the years. Successful proposals have put communities at the heart of the creative process, while also being central to the artists’ practice and own lines of enquiry. Commissions can capture the spirit of place, give people a voice, connect communities and let people tell their own story in their own words. We do not tend to support projects that propose large public artworks, such as permanent or semi-permanent sculptures or structures, which often require planning permissions and ongoing maintenance that can challenge the budget and timeline available. We also do not support projects that have little or no participation.